Behold his bed, which is Solomon's; threescore valiant men are about it, of the valiant of Israel.
Read it in contextSolomon Arrives on His Wedding Day
Start reading at Song of Solomon 3:6 (Song of Solomon 3:6 to Song of Solomon 3:11).
An editorial reading unit, not a claim that the surrounding context stops here. Book background below applies to the shared passage; individual verses may need more specific explanation.
This unit closes the chapter’s selected reading divisions. The central sequence presents a procession and extended language of admiration, moving toward an invitation and response.
3:6Who is this that cometh out of the wilderness like pillars of smoke, perfumed with myrrh and frankincense, with all powders of the merchant?
3:7Behold his bed, which is Solomon's; threescore valiant men are about it, of the valiant of Israel.
3:8They all hold swords, being expert in war: every man hath his sword upon his thigh because of fear in the night.
3:9King Solomon made himself a chariot of the wood of Lebanon.
3:10He made the pillars thereof of silver, the bottom thereof of gold, the covering of it of purple, the midst thereof being paved with love, for the daughters of Jerusalem.
3:11Go forth, O ye daughters of Zion, and behold king Solomon with the crown wherewith his mother crowned him in the day of his espousals, and in the day of the gladness of his heart.
Study content, not yet reviewed.
Who
Who wrote the book? Solomon is the traditional author, supported by the title's association with him. Whether that association identifies authorship, ownership, or subject is debated. Biblical references: Song of Solomon 1:1. traditionally held
Who was present or being addressed in this passage? In the surrounding chapter context (Song of Solomon 1:1–8:14): The lovers address one another, with the daughters of Jerusalem and other companions addressed in portions of the poems. Speaker assignments in individual lines are sometimes uncertain; the poems do not identify a single audience present throughout the whole collection. stated in the text
Who was the book written to? An Israelite audience receiving love poetry. Within the poems the lovers address one another and the daughters of Jerusalem; those speakers and hearers are distinct from the book's later readers. Biblical references: Song of Solomon 1:5; Song of Solomon 2:7. book background
What
What is the topic of this reading unit? Solomon Arrives on His Wedding Day. Read Song of Solomon 3:6 through Song of Solomon 3:11 as a connected unit. interpretation
How does it contribute to the book? This unit closes the chapter’s selected reading divisions. The central sequence presents a procession and extended language of admiration, moving toward an invitation and response. interpretation
When
When are the events or message set? The poems mention seasons and times of encounter but do not establish a continuous, fully dated narrative or a single certain composition date. book background
Where
What is the book’s geographic setting? Gardens, vineyards, countryside, and city scenes appear in the poetry. Images of places and bodies function poetically and need not all be literal travel or event reports. book background
Where does the context start?
This passage sits in Solomon Arrives on His Wedding Day (Song of Solomon 3:6 to Song of Solomon 3:11).
Start reading at Song of Solomon 3:6. An editorial reading unit, not a claim that the surrounding context stops here. Book background below applies to the shared passage; individual verses may need more specific explanation.
How
How does this book connect with Jesus Christ? Christian readers may compare covenant love with New Testament teaching about Christ and the church. That is an interpretive comparison; the Song's verses do not explicitly identify every lover, feature, or scene as Christ or the church. See Song of Solomon 8:6, Ephesians 5:25, Ephesians 5:32. interpretation
How should this book guide our response? Value faithful, enduring love and respect the poem's warnings about its timing. Avoid assigning a spiritual code to every physical image without textual support. interpretation
Cited: Song of Solomon 3:6, Song of Solomon 3:11, Song of Solomon 8:6, Ephesians 5:25, Ephesians 5:32
Cross references from CrossReferences-org (CC BY 4.0).
Macro-Structure
See how this passage fits the chapter and the book.
Macro-Structure of Song of Solomon 3
Prefilled outline, not yet reviewed.
The Song of Solomon is poetry of love and desire. Identifying every speaker and assigning every image to Christ and the church involve interpretation; those readings should not be presented as names and meanings explicitly supplied in every verse. Local headings and stanza divisions are editorial reading aids adapted from public-domain BSB headings; verse boundaries and Scripture links use the KJV. Connections describe the surrounding book movement.
Connection to the wholeThis opening unit introduces the chapter’s movement. The poetry develops the experience of invitation and searching and returns to the repeated refrain concerning love.
Connection to the wholeThis unit closes the chapter’s selected reading divisions. The central sequence presents a procession and extended language of admiration, moving toward an invitation and response.
interpretation
Suggested literary divisions. Headings summarize the passage; they are not part of the biblical text.
Macro-Structure of Song of Solomon
Prefilled outline, not yet reviewed.
The Song of Solomon is poetry of love and desire. Identifying every speaker and assigning every image to Christ and the church involve interpretation; those readings should not be presented as names and meanings explicitly supplied in every verse.
Connection to the wholeAn account of missed encounter leads to searching and a sustained description of the beloved, followed by renewed affirmation of belonging.
Connection to the wholeThe later exchanges culminate in reflection on love's strength and a final invitation, completing the collection's movement of desire and belonging.
interpretation
Suggested literary divisions. Headings summarize the passage; they are not part of the biblical text.